Caleb Crain’s novel Necessary
Errors is a story of a young Harvard graduate who goes to Prague soon after
the Velvet Revolution in the early nineties to teach English. It’s based on
Crain’s real-life experience as an English teacher, but in novelized form. In
the book, the narrator and main character is a young gay man testing out his
sexuality, but also testing the world, befriending kindred spirits, and
reveling in intense new sensations that come from being abroad when you are
young and have the luxury of being somewhat aimless. The book could be
considered gay coming-out story, or it could simply be considered a
Bildungsroman, or perhaps it’s just a fictionalized memoir, but to me it is a
zipline back to a time in my life that has inexorably slipped away.
The book has swept me back to my days in the early nineties
as a young English teacher in Barcelona. It has me grieving for those intense
days of discovery. Crain’s book has me smelling, feeling, seeing Prague, a city
I’ve never been to, no doubt drawn from the author’s own intense sensory
experience of his youth. The city is a palpable character, and the book is
imbued with the acute sense of discovery of both a place and oneself: as the
main character wanders the streets, I recall my endless walks around Barcelona,
rambling all corners of the city on foot as my way of appropriating it, of
making it known and therefore making it mine. I remember being all eyes, ears,
nose, mouth, skin, alert to and soaking in every perception – every paving
stone; every balcony with every geranium; every shop – including the jamón serrano shops with their pig legs
dripping fat into delicate little paper umbrellas jammed into the bottom tip,
smelly but to-die-for delicious once I tried it; every person, noting every
feature, noting the styles – the men, this being a hangover from the eighties,
in their purple shirts and pink ties, the women in their miniskirts with big-shouldered
jackets, all so fashionable; the ubiquitous plane trees; the coffee shops with
the news or soccer games blaring out and the old men drinking coffees and
smoking – back when that was legal inside; the piss-smelling streets of the
Gothic Quarter on a Sunday morning after Saturday night revels, mostly by
fellow expats; the little squares with cafes, always filled; the big squares
with pigeons and North African immigrants selling top manta – fake goods; the groups of well-scrubbed youth, even the
ones dressed Punk – not yet “vintage” back then, or worthy of exhibits – whose mamas
seemed to have just ironed their artfully ripped shirts.
Necessary Errors
revolves around the narrator’s new-found set of friends, an international group
that improbably becomes close and spends all their time together, discovering
themselves and the world together, supporting each other, even though at home
they may have never become friends. I, too, remember the intense world of my
first years in Barcelona, before “going local”, before having the language to
do so, pushed together with other expats who became my friends, with whom we
shared adventures. Improbably, I still consider most of my friends from that
year friends today, even though we’ve been scattered to the wind, some of us
for decades. The very intenseness of that experience – every moment lived with
every cell and pore of our being – can never be erased despite the time and
distance. We supported each other through sickness and homesickness as we
navigated through a strange city and culture… And the fun we had! The Fish Bar…
I never knew its real name but we spent just about every weekday evening there
quaffing beer after beer, after getting off work at 10 p.m. The Guitar Bar, a
dingy little hole-in-the-wall where we’d go, and someone who knew how to play
would pick a guitar – or would be handed a guitar by the silent, bearded owner
– and start strumming and we’d sing along all night. The Saturday-morning,
hungover schlep to Badalona, all chanting the mantra, “The true professional
can be ready in five minutes.” My friends living in the Gothic Quarter in
ancient apartments with mosaic floors, a coterie of international bohemians
always staging some party, on the city rooftops overlooking the ancient tiled
roofs, or out in the country. Some of those friends left after just a year or
two, others stayed and our ways parted, and yet the intensity of that
experience binds us together still.
In the book, the author leaves Prague after a year. But I
stayed in Barcelona. I stayed almost 20 years. I stayed to live out my adult
life – marriage, climbing the corporate ladder (so to speak!), child, mortgage,
divorce, my mother’s death. My young adulthood was played out entirely in
Barcelona, but it very gradually, imperceptibly evolved away from that first
year. Slowly, the crowd dissipated as my friends did what I had planned to do –
stay for a year or two and then go home. Gradually, we who stayed paired off
with Barcelonans, our lives became “real”; we left behind the white-hot crucible
of that first year and instead real life took over, with all its complications
and hurdles – job woes, money issues, relationships. That intense experience
slowly, imperceptibly came to an end; it wound down over the course of those
years and receded into the almost-forgotten distance.
And now, as I read this book, it has all come washing over
me with an intensity that has brought me to my knees. It’s no wonder it took
Caleb Crain 20 years to write this book; such a compelling experience takes
time to be processed, to be seen with enough perspective to understand what it
meant. The book brought into focus the fact that that amazing experience of pure
receptiveness, the pure permeability of youth, of living every single moment
intensely, as an adventure and a discovery, is over. Not only over: long gone. How
is it now 20 years ago? It arouses such melancholy in me: will I ever again
live so intensely? Will I ever again be such a sponge eager to absorb the life
around me? As I’m bogged down in middle age – bills, teen-rearing, work-work-work
– will I ever have the real time and mental space to be so alive again? Are my
life’s adventures, real adventures, over? Are we are only capable of
experiencing this permeability in youth? Are we moldable and transparent when
young, allowing life to suffuse and metamorphose us, whereas now my shell has
hardened, I have fossilized and no longer susceptible to this transformative
experience?
And so I hold onto those memories of my first overwhelming
year in Barcelona, the single most intense experience in my life, the
experience that changed me and made me who I am, or in truth, who I chose to become.
I mourn that moment dwindling into the distant past; I mourn the loss of the
youth, that singular moment that crystallized in Barcelona where I was able to
absorb everything and everyone around me and let them enter me and move me the
way I doubt I will feel moved and transformed again.
Although I hope I’m wrong…
